Charles Winfield Miller Original Native Americn Oil Painting Running Bear
December 21, 2025
Following a long career as a freelance illustrator, portrait painter and teacher in the Chicago area, Mr. Miller moved to Wyoming to follow the muse of Western Art. After a sound academic art education, his early association with two of the greats of American Illustration, Haddon Sundblom and Harry Anderson, instilled in him a profound respect for excellence and integrity in the painting process. An invaluable learning experience enjoyed by but a fortunate few. Charles Winfield Miller was living and painting in Jackson Hole, Wyoming—he finds the “Western” genre a veritable illustrators candy store, all the romantic picturesqueness and dramatic potential of King Arthur’s Court, Robin Hood, Treasure Island, and The Deer Slayer rolled into one— with the additional challenge of anthropology thrown in. Years before, back in the windy city, when he was painting dog food ads and Playboy cartoons, he would gladly have paid for the privilege of doing this kind of work! Native American in “Running Bear” painting. This painting “Running Bear” by Charles Winfield Miller appears to depict a Native American figure adorned in traditional regalia that may represent a specific Plains tribe. Based on the details visible in the images. The use of a feathered headdress and red and black accents is often associated with tribes such as the Lakota Sioux, Cheyenne, or other Plains cultures. The blanket or robe with stripe patterns resembles designs often seen in ceremonial garments of Plains tribes. The tomahawk and the spear with feathers are traditional symbols and tools frequently used by Plains tribes in ceremonial or combat-related depictions. The name “Running Bear” could signify a connection to a Plains tribe, as names referencing animals and their characteristics are common in Lakota, Cheyenne, or Blackfoot cultures. The shadow of the bear in the background reinforces the symbolism of the bear, which holds significant spiritual importance among many Native American tribes, often associated with strength, courage, and protection. This painting likely represents an individual from a Plains Native American tribe, though determining the exact tribe would require additional context or insights from Charles Winfield Miller’s notes or records. If further historical or artistic resources about Miller’s work are available, they might clarify his specific focus and inspirations for this piece. However, confirming the tribe would require further insight into the painting’s context or any statements Miller may have made about his work. The figure of “Running Bear” depicted in this painting by Charles Winfield Miller is most likely a symbolic or artistic representation rather than a portrait of a specific historical figure. While the name “Running Bear” has a strong association with Native American culture and may evoke imagery tied to Plains tribes, there is no widely documented historical figure with that name who held significant prominence across the Plains tribes. Artists like Charles Winfield Miller often drew inspiration from Native American cultures, ceremonies, and oral traditions to create evocative portraits and narratives. The figure in the painting might represent an archetype of a Plains warrior, leader, or spiritual figure, rather than a real individual. Names such as “Running Bear” were common in Native American tribes and often reflected traits like strength, courage, or a connection to the animal spirit world. Many Native American tribes e. Lakota, Cheyenne, Blackfoot gave individuals animal-inspired names to signify their characteristics, achievements, or spiritual guides. A comprehensive review of historical documents and oral histories from Plains tribes does not indicate a widely recognized historical figure named Running Bear. However, this does not rule out the possibility of individuals with the name in tribal oral history or less-documented contexts. Possible Sources for Verification. If “Running Bear” were a real individual, it would likely be documented in tribal oral histories, records of treaties, or accounts of significant events. Consulting tribal historians or cultural preservation offices of major Plains tribes, such as the Lakota, Cheyenne, or Blackfoot, might provide clarity. Charles Winfield Miller was an American artist known for his evocative depictions of Native American life and Western landscapes. Here’s a brief biography. Early Life and Education : Born January 13, 1922 in Berwyn, Cook County, Illinois, Miller had a deep appreciation for the American West, which often inspired his work. Details about his formal art education remain sparse, but his attention to historical accuracy suggests a dedicated study of Native American cultures. MIlitary: Miller was a Sergeant in the United States Army during WWII. Career : Miller’s paintings often feature themes of Native American traditions, Western history, and the natural beauty of the American frontier. His work aligns with the realism movement, showcasing detailed and lifelike portrayals of his subjects. Recognition : While not as widely known as other Western artists like Frederic Remington or Charles M. Russell, Miller’s work gained respect for its authenticity and emotional depth. Artistic Style : His use of color and composition reflects a reverence for his subjects, blending realism with romanticism. Charles Winfield Miler died January 4, 1995 in Bigfork, Flathead, Montana. Private Collector New Jersey. Avra Art Auctions, Margate City, New Jersey, acquired from above. Private collector, Cathedral City, California, acquired from above. There is no paint loss, canvas is in great condition. Feel free to contact me with any questions you may have on this atmospheric Native American painting that will highlight any western art collection and thanks for your interest.
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